Tag: Ekaterinya Vladinakova

Happy New Years – Space Painting by Ekaterinya Vladinakova

Happy New Years – Space Painting by Ekaterinya Vladinakova

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Ekaterinya Vladinakova

“Happy New Years” by Ekaterinya Vladinakova

Left-click on the image for a fuller view. You can also download this painting (3265 by 5000 pixels) here.

Happy New Years – indefinitely many of them! As we celebrate the arrival of 2019, we can find great inspiration in this painting by Ekaterinya Vladinakova. May we someday stand on worlds such as this distant cratered planet and observe nebulas like this one in glorious color.

Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.

Mountain in the Jungle: Habitable Exomoon – Painting by Ekaterinya Vladinakova

Mountain in the Jungle: Habitable Exomoon – Painting by Ekaterinya Vladinakova

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Ekaterinya Vladinakova

“Mountain in the Jungle: Habitable Exomoon” by Ekaterinya Vladinakova

Left-click on the image for a fuller view. You can also download this painting (5000 by 2636 pixels) here.

The terraformed surface of an exomoon – another illustration by Ekaterinya Vladinakova of the lush worlds that can be created as a result of our species’ colonization of the cosmos. Let humanity venture forth to both discover and create such splendid new environments!

Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.

Space Seascape – Painting by Ekaterinya Vladinakova

Space Seascape – Painting by Ekaterinya Vladinakova

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Ekaterinya Vladinakova

 

“Space Seascape” by Ekaterinya Vladinakova

Left-click on the image for a fuller view. You can also download this painting (4846 by 7000 pixels) here.

Tranquil and contemplative, this painting of an alien moon seascape by Ekaterinya Vladinakova evokes worlds that humans could one day discover or create through terraforming. The vivid colors and stunning imagery of Vladinakova’s work inspire us to strive toward a future where the exploration of these worlds could become a reality.

Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.

U.S. Transhumanist Party Discussion Panel on Art and Transhumanism

U.S. Transhumanist Party Discussion Panel on Art and Transhumanism

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Gennady Stolyarov II
Emanuel Iral
Rachel Lyn Edler
John Marlowe
R. Nicholas Starr
Leah Montalto
Kim Bodenhamer Smith
Laura Katrin Weston
Ekaterinya Vladinakova

On November 18, 2017, the U.S. Transhumanist Party invited leading artists in a variety of media and styles to a two-hour discussion, moderated by Chairman Gennady Stolyarov II and Director of Visual Art Emanuel Iral, on the subject of Art and Transhumanism, delving into how and which works of art can help inspire humans to pursue the next era of our civilization – through promoting the advancement of science and technology, rationality, and/or a more hopeful vision of the future. The panel also explored various interactions between art and technology and ways in which art can improve human connection and understanding, while also comprising the very improved functionality that emerging technologies provide.

Panelists

Emanuel Iral

Emanuel Iral is Director of Visual Art for the U.S. Transhumanist Party.

Emanuel’s artwork ranges from traditional paint and pencil work to 3D digital work. Currently he is working on his VFX and animation skills, as he is producing short films for his music. He encompasses his art under the term Prismatis – Latin for prism.  A prism refracts white light into the three primary colors: yellow, magenta, and cyan. Prismatis is all about the aesthetic of human expression, which can be separated into the art, audience, and artist.

Rachel Lyn Edler

RachelLyn Edler is an accomplished graphic designer with over 20 years of creative experience. Rachel comes from a diverse background of product development, packaging and web design. In her free time she volunteers for several scientific and secular organizations including the Planetary Society, Richard Dawkins Foundation for Reason & Science and the Secular Coalition for America.

John Marlowe

John Marlowe was educated in film theory and trained in film production at UC Berkeley.  His outlook on film as a vehicle for social messaging has been largely influenced by his lifelong struggle with a genetic inborn error of metabolism, a type of disease that – until recently – was beyond the scope of medicine.  Consequently, John feels it is his onus to emphasize the artist’s responsibility in shaping the conversation regarding medical research, to create a society more amenable to scientific progress, rather than one fearful of change.

Leah Montalto

Leah Montalto is a painter based in New York City and has maintained a successfully operating painting studio in New York for the past 12 years.  Her paintings have been exhibited at the National Academy Museum of Fine Art in New York, and have been reviewed in the New York Times and the Providence Journal.  Leah’s paintings have received awards including the National Academy Museum of Fine Art’s Hallgarten Prize in Painting and the NYC Cultural Commission arts grant.  Leah is a former professor at Sarah Lawrence College, and has an MFA in Painting from Rhode Island School of Design.  Leah is not affiliated with the Transhumanist Party, but her paintings explore related themes.

Kim Bodenhamer Smith

Kim Bodenhamer Smith is a single mother of two boys living in Chattanooga, TN. She is a founding member of Southside Abbey, a Lay Missioner in The Episcopal Church, and an Outdoor Wear Business owner of Chilliheads. She is a caver, unicycler, and an aviation enthusiast and creator of #helichurch. She has a BFA in Metals and also studied Graphic Design and Political Science. *She also has many Tesla Tales to tell and is a Social Media Manipulator (different from a troll)!

R. Nicholas Starr

R. Nicholas Starr is an audio engineer and multimedia artist whose work focuses on Earth’s dystopias of past, present, and future. Also a biohacker, researcher, and theorist, he immerses himself in the subjects surrounding these worlds and has published several non-fiction articles and interviews. With an education in electronic signals intelligence from the United States Air Force, and 15 years of digital art and audio production in the US and abroad, he has become a unique voice for science fiction, the U.S. Transhumanist Movement, and American policy.

Ekaterinya Vladinakova

Ekaterinya Vladinakova is an accomplished digital painter and professional freelance illustrator. Vladinakova specializes in fantasy and science fiction work, but is also interested in editorial illustration. Vladinakova spends most of the day painting in Photoshop, creating scenes related to fantasy, or science fiction, as well as brushing up older works. Vladinakova’s paintings have been featured by the U.S. Transhumanist Party – including the “City of New Antideath” – a vision of the future which was commissioned for Mr. Stolyarov’s 30th Birthday.

Laura Katrin Weston

Dr Laura Katrin Weston is from England and studied Fine Art before going on to studying Medicine. She is a trained pathologist with a specialism in medical biochemistry and inflammation-related disease. She has used her medical knowledge and professional painting career to support Lifespan.io – one of the biggest life-extension research and advocacy charities. Laura is also vocalist for symphonic metal band Cyclocosmia – a music act that will be trying to raise awareness of transhumanist and human mortality issues in their next upcoming album.

The YouTube question/comment chat for this Q&A session has been archived here and is also provided below.

Visit the U.S. Transhumanist Party Facebook page here.

See the U.S. Transhumanist Party FAQ here.

Become a member of the U.S. Transhumanist Party for free, no matter where you reside.

Become a Foreign Ambassador for the U.S. Transhumanist Party.

…

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Test-Tube Tomato Still-Life – Painting by Ekaterinya Vladinakova

Test-Tube Tomato Still-Life – Painting by Ekaterinya Vladinakova

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Ekaterinya Vladinakova

 

“Test-Tube Tomato Still-Life” by Ekaterinya Vladinakova

 

Ekaterinya Vladinakova’s lush work plunges viewers into a vivid vision of the possible future. Friable strokes of dust rush along the barren cracks that mark the Red Planet as depicted in her Test-Tube Tomato Still-Life. Vladinakova examines the basic question of how might humans grow crops and other necessary resources on a planet as desolate as Mars. 

The gleam of the sun’s halo refracts over the surface of a hopeful tomato plant growing within a glass beaker. This may just be one of possibilities actualized once humans overcome the hurdle of successfully arriving on the surface Mars. Harnessing the power of photosynthesis in controlled environments devoid of soil or constant sunlight may prove to be feasibly effective. As one research team from the University of Florida found, plants can fare off pretty well with low light and zero-gravity conditions. Various plants were monitored on the International Space Station orbiting some 350 kilometers above Earth at the time. Researchers observed that the plants monitored showed no signs of impeded growth despite being in an environment devoid of gravity or constant light.

Another possibility is terraforming. With companies like SpaceX leading the mission towards full colonization of Mars, terraforming has been a topic of much debate. Terraforming would include the process of completely manipulating the atmosphere of the planet in order to recreate the ideal conditions of sustaining life. Such a process is arduous and would require a considerable amount of resources to even begin. Yet, it is still a possibility not far from our grasp.

Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.

~ Emanuel Iral, Director of Visual Art, U.S. Transhumanist Party, October 31, 2017
Terraforming of Mars – Painting by Ekaterinya Vladinakova

Terraforming of Mars – Painting by Ekaterinya Vladinakova

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Ekaterinya Vladinakova

 

“Terraforming of Mars” by Ekaterinya Vladinakova

Left-click on the image for a fuller view. You can also download this painting (3200 by 800 pixels) here.

This piece was painted by Ekaterinya Vladinakova in January 2016 as a tribute to Space X’s reusable rocket success. As a result of these pioneering steps, perhaps humankind will someday, hopefully during our lengthened lifetimes, establish settlements on Mars like the ones depicted in this painting. This painting is available for viewing and download on Ekaterinya Vladinakova’s DeviantArt page here.

Artist’s Comments: Being able to re-use a rocket has the potential to make space travel MUCH cheaper, by a factor of a hundred. The reason is because the fuel costs something around 200,000 dollars, while the rocket costs millions. The problem with today’s rockets is we use them once, and then they are thrown away. An analogy would be using a 747 aircraft for only one trip; think of just how expensive it would be.  The significance of SpaceX’s second launch was that it was done on a floating platform. The benefit of such a platform is that it would save more fuel for the rocket, since the ocean platform can move, and less fuel overall is spent navigating the rocket back to base.

Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.  

City of New Antideath – Painting by Ekaterinya Vladinakova, Commissioned by Gennady Stolyarov II

City of New Antideath – Painting by Ekaterinya Vladinakova, Commissioned by Gennady Stolyarov II

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Art by Ekaterinya Vladinakova

Painting Commissioned by Gennady Stolyarov II

City of New AntideathCity of New Antideath – Painting by Ekaterinya Vladinakova

Commentary by Gennady Stolyarov II, Chairman of the United States Transhumanist Party, Editor-in-Chief of The Rational Argumentator: 

For my coming thirtieth birthday, I have commissioned a colossal cityscape depicting my vision and hope for the future progress of humankind. Artist Ekaterinya Vladinakova, a long-time supporter of transhumanism and life extension, was the evident best choice for this project.

The City of New Antideath represents a future society which has overcome death, disease, and today’s principal sources of material scarcity and discomfort. This city contains more than ample living space in ornate, radiantly illuminated skyscrapers. Smaller villas, domed towers, and other luxuriously ornamented buildings adorn the central walkways. There is ample room for pedestrian traffic and plant growth sculpted into geometrically complex patterns – including on the rooftop terraces of many of the mega-skyscrapers.

Flying cars and autonomous drones appear as streaks of light from the ground level. There is so much room for aerial transportation that no more traffic jams exist on the ground. One can opt for efficient transport, or for open-ended leisurely walking, and the two modes will not collide.

Over the years I have created a large number of building models using Sketchup, Minecraft, and even LEGO bricks. In my quest for permanence, they – or images of them – have been preserved and provided to the artist for inspiration. The first City of Antideath consisted of my Sketchup models. The City of New Antideath was not intended to be an exact replica, but rather a successor inspired by the prospect of juxtaposing the best architectural elements of all eras – past and yet to come.

I conveyed to Ekaterinya Vladinakova that the skyscrapers should exhibit a variety of bold colors and geometric shapes – but also be orderly and ornate. I have a great admiration for historical architecture from the 16th through 19th centuries – so while some of the buildings are geometric and futuristic, others borrow significant elements from Renaissance, Baroque, Neoclassical, or Victorian styles. Russian and Eastern architectural traditions find their manifestations in this cityscape as well. The idea is to portray a future of extreme diversity, where all of these elements will exist side by side and interact with one another in interesting ways. Far from cultural separatism or tribalism, the future needs to borrow and develop upon the best elements from all cultures, times, and places. The culture of New Antideath is rational, scientific, progress-oriented, universalist, cosmopolitan, and at the same time hyperpluralist and welcoming of all peaceful individuals.

The most significant vision I have for this artwork is that it will become the iconic vision of a techno-positive future. Accordingly, I am rendering it available for free download and distribution via a Creative Commons Attribution Share-Alike License so that it might be used by others who seek illustrations of a future we can all aspire for.

I still hope that I was not born too soon – that I may someday personally witness and experience a future of this sort. But for now, although the third decade of my life did not see such a future emerge, I am happy at least to have enabled its depiction so that others can be inspired to strive toward it. Given that our immediate world has become suffused by a pervasive, destructive malaise over the past two years, we will need visions such as this to overcome it and achieve better ways to be.

There are three versions of this digital painting available for free download (left-click on the links to open, right-click to download):

– Small (1200 by 1931 pixels)

– Medium (2400 by 3861 pixels)

– Original Size (11250 by 18100 pixels – a vast canvas with immense detail. Note: This file size is immense as well – but you will be able to zoom in to view individual buildings and regard them as smaller-scale paintings in their own right.)

For those seeking musical accompaniment in viewing this painting, I recommend my Transhumanist March, Op. 78 (2014) (MP3 and YouTube)  or Man’s Struggle Against Death, Op. 58 (2008) (MP3 and YouTube).

Find out more about Mr. Stolyarov here.

Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.