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“Shattered” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

“Shattered” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

Laura Katrin Weston


Commentary by Gennady Stolyarov II, Chairman, United States Transhumanist Party: “Shattered” is a print by Dr. Laura Katrin Weston, a.k.a. Katrin Brunier, the original exemplar which I received in November 2017 due to my donation to the successful MouseAge crowdfunding campaign by Lifespan.io. Along with the three other artworks that I acquired from Dr. Weston – “Teeming”, “Graceful”, and “Squeak” – this print is featured as part of my Longevity Wall.

This work depicts how the forces of ruin can lead once-ornate and beautiful things to become eroded and deteriorated. This process, unfortunately, afflicts human organisms and minds as well, causing much of value to be lost or at least faded with time. Even with age, there remain in everything and everyone traces of the former splendor that can yet potentially be reclaimed – if humanity reconsiders its priorities and decisively commits to the war on ruin, including the quest to overcome aging and death.

Artist’s Description: “Time ravages even the greatest of minds, shattering them into a chaotic cloud of misfired potential. Once simple tasks become impossible, we become unable to live without aid, to live for ourselves any longer.

“I don’t know about you… But I don’t want that future. We have the power to change that. All we need is more support.”

You can find more work by Dr. Laura Katrin Weston at the Katrin Brunier Gallery, an Ethical Investment-Grade Art Gallery for the Neo-Renaissance Era (see its Instagram page). Proceeds from art sales at the Katrin Brunier Gallery will go to support causes such as medical research and conservation.

“Graceful” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

“Graceful” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

Laura Katrin Weston



Commentary by Gennady Stolyarov II, Chairman, United States Transhumanist Party: “Graceful” is a watercolor painting by Dr. Laura Katrin Weston, a.k.a. Katrin Brunier, the original exemplar which I received in November 2017 due to my donation to the successful MouseAge crowdfunding campaign by Lifespan.io. 

This vibrant watercolor image of a hawthorn tree in bloom illustrates that beauty and longevity are indeed compatible. Hawthorn trees can live for up to 700 years – another demonstration that there are no insurmountable obstacles to this kind of graceful longevity. Science and technology must, however, advance, to enable us to maintain vitality for centuries to come.

Artist’s Description: There is a cold, hard truth in humanity that we don’t often like to admit. There is no shame in wanting to remain beautiful, graceful, and vibrant for as long as we can. Yet these feelings are often belittled as being selfish or vain.

There is nothing wrong with being healthy for as long as possible. Perhaps we have grown so used to the frailties and sickness that come with time that we might not know how to react without it.


You can find more work by Dr. Laura Katrin Weston at the Katrin Brunier Gallery, an Ethical Investment-Grade Art Gallery for the Neo-Renaissance Era (see its Instagram page). Proceeds from art sales at the Katrin Brunier Gallery will go to support causes such as medical research and conservation.

Wump VR – Vladmir Storm & alpha_rats

Wump VR – Vladmir Storm & alpha_rats

Wump VR


 

What is the human experience? Is it defined by our everyday interactions with one another and our external environment? Or is it characterized by our seemingly unique abilities to empathize? Our ‘free will’?

Virtual reality, along with every other (insert adjective here)-reality tech, has given compelling responses to these questions, further blurring the line of what differentiates the human experience to everything else.

A curious project that is still in development, Wump VR is what most would describe as a psychedelic trip that peaked a bit more than it should. Mesmerizing visuals and musical interactions bombard your senses as users try to figure out how to navigate through this vivid Cronenberg version of the human experience.

‘A VR experience about life states. It’s based on alien organic aesthetics and VR physical interactions. You will experience the journey of life. Leaving sag mom womb, being a liquid baby, tripping teenager, busy parent and dry old person. Genderless, wump will call back and after the unbirth circle of life will never end.’

Wump VR simplifies and transforms the human experience into what might as well be an alien dream. Each life state is defined by the visual aesthetics and interactions the user encounters as they progress through the experience. The user’s body changes and morphs through each stage, granting new modes of interaction with the environment. 

“We wanted to keep the journey as universal as possible, focusing on the evolution of the body rather than lifestyles, life experiences, gender, etc.”

There are many virtual reality developers and creators with their own unique aesthetic stories to tell. Soon, we’ll be living in a future where we can choose any experience we want to live, temporarily or even permanently. I believe the human experience is not inherently human but rather an extension of the fluidity of existence. Are we all living a vivid virtual dream, wandering around as we all soak in the abstract information of our environment? Do we even want to take off the goggles? That’s for the individual to decide.

Vladimir Storm and alpha_rats are incredible VR designers. More of their beautiful work can be found on their Behance.

~ Emanuel Iral, Director of Visual Art, U.S. Transhumanist Party, June 30, 2018 

“Squeak” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

“Squeak” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

Laura Katrin Weston




Commentary by Gennady Stolyarov II, Chairman, United States Transhumanist Party: “Squeak” is a print by Dr. Laura Katrin Weston, a.k.a. Katrin Brunier, the original exemplar of which I received in November 2017 due to my donation to the successful MouseAge crowdfunding campaign by Lifespan.io.

It is fitting for a project on mouse longevity to involve at least one image of mice – creatures whom life has unfortunately dealt a bad hand, due to their short lifespans (only 3 years for even long-lived mice in the absence of medical intervention), difficulty in getting along with humans, and unnecessary attrition due to disposal practices after lab experiments. “Squeak” invites the viewer to appreciate mice a bit more; if we can extend their lives significantly, we stand a decent chance of achieving dramatic extension of our own lifespans.  Perhaps we can also give some of the mice a break by using photographic markers of aging in experiments, as the MouseAge project seeks to do.

Here, the mice are depicted scurrying along a narrow circular path. The golden circle, with rays emanating outward represents perhaps the great hope that these creatures unknowingly provide to us. One may wonder, as I have done over many months of reflecting on this work, whether these are mutant, two-tailed mice, or whether they each just have their ordinary curly tails, and the track along which they move might simply be painted in the same colors and textures as their tails. (Well, in actuality it is indeed painted that way!) Mutant or not, these mice are rather extraordinary in having become emblems of a species that has added much to our understanding. Unlike most of their brethren to date, these mice have earned their extreme longevity through Laura Katrin Weston’s brush.

You can find more work by Dr. Laura Katrin Weston at the Katrin Brunier Gallery, an Ethical Investment-Grade Art Gallery for the Neo-Renaissance Era (see its Instagram page). Proceeds from art sales at the Katrin Brunier Gallery will go to support causes such as medical research and conservation.

“Teeming” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

“Teeming” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

Laura Katrin Weston



Commentary by Gennady Stolyarov II, Chairman of the United States Transhumanist Party:
“Teeming” is a print by Dr. Laura Katrin Weston, a.k.a. Katrin Brunier, the original exemplar which I received in November 2017 due to my donation to the successful MouseAge crowdfunding campaign by Lifespan.io.

Although some may consider the plants depicted in this print to be weeds, Laura Katrin Weston has painted their flowers beautifully. Such plants proliferate in a teeming, but ultimately ephemeral manner – yet this print presents a view that can be enjoyed indefinitely, in effect taming the weeds and presenting their best imagined attributes for our appreciation.

You can find more work by Dr. Laura Katrin Weston at the Katrin Brunier Gallery, an Ethical Investment-Grade Art Gallery for the Neo-Renaissance Era (see its Instagram page). Proceeds from art sales at the Katrin Brunier Gallery will go to support causes such as medical research and conservation.

Katrin Brunier Art Gallery Opens, Featuring Transhumanist-Oriented Art in Support of Medical Research

Katrin Brunier Art Gallery Opens, Featuring Transhumanist-Oriented Art in Support of Medical Research

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There is a new venue for transhumanist art, whose purchasers and collectors can simultaneously aid in supporting medical research. The Katrin Brunier gallery, an ethical investment-grade art gallery for the Neo-Renaissance Era, was launched on May 18, 2018, by U.S. Transhumanist Party member Dr. Laura-Katrin Brunier (Laura Katrin Weston). You can view some of the available artworks here and here.

Proceeds from sales will support Lifespan.io / Life Extension Advocacy Foundation and Turtlesoup Films conservation.

Statement from Katrin Brunier:

“At katrinbrunier we believe that Art should play its part in shaping a better world for future generations. Our clients share these ideals, which is why we wanted to create an ethical option for investors, collectors, clients and gallery owners alike. Proceeds from sales support conservation charities and fund medical research. All materials are ethically sourced or Fairtrade where possible.

Our artworks are all from notable up and coming players in abstraction, and focus on themes of human advancements in pioneering knowledge, trans-humanism, unconditionality, our place in the universe, sensory perception and the neo-renaissance.”

Dr. Laura Katrin Weston took part in the U.S. Transhumanist Party’s Discussion Panel on Art and Transhumanism on November 18, 2017. To find out more about her ideas and work as an artist, watch her conversation with other artists and life-extension advocates here.

Abstract Orderism Fractals 68, 69, 70, 71, and 72 – Art by Gennady Stolyarov II

Abstract Orderism Fractals 68, 69, 70, 71, and 72 – Art by Gennady Stolyarov II

Gennady Stolyarov II


Note from U.S. Transhumanist Party Chairman Gennady Stolyarov II: Abstract Orderism Fractals 68, 69, 70, 71, and 72 were created in December 2017 as gifts for individuals who were instrumental to advancing the work of the United States Transhumanist Party or who have otherwise assisted me in profound ways. Each fractal communicates an aspect of the personality, values, and work of the person to whom it is dedicated.

Navigate to Individual Fractals

Abstract Orderism Fractal 68
Abstract Orderism Fractal 69
Abstract Orderism Fractal 70
Abstract Orderism Fractal 71
Abstract Orderism Fractal 72

Abstract Orderism Fractal 68

Abstract Orderism Fractal 68 – by G. Stolyarov II

Note: Left-click on this image to get a full view of this digital work of fractal art.

Abstract Orderism Fractal 68 is dedicated to Adeel Khan – a polymath whose never-ending curiosity and willingness to engage in discourse on a myriad of topics are just the attitudes that are necessary to achieve meaningful progress and make sense out of a complex world. Many of Adeel’s ideals align closely with mine, and he appreciates the multiple facets of the mindset needed to bring humankind into its next era – from the embrace of scientific reasoning to the support of the individual’s liberty to innovate.

Like Adeel’s interests, this fractal branches out in many different directions, but there are common overarching themes of improving our species! The path(s) toward a better world may be spiral in nature, but let all of us earnest thinkers explore them or forge our own.

Abstract Orderism Fractal 69

Abstract Orderism Fractal 69 – by G. Stolyarov II

Note: Left-click on this image to get a full view of this digital work of fractal art.

Abstract Orderism Fractal 69 is dedicated to B.J. Murphy, who has been a steadfast ally and a major contributor to the success of the U.S. Transhumanist Party, of which he serves as the Director of Social Media.

This fractal is gear-like in shape and in the impression of rotation it conveys. The gears at many scales symbolize the technologies that will form the backbone of the new transhuman civilization. B.J. extensively monitors, writes about, and contributes insights to the development of new technologies and entrepreneurial ventures, both on a large scale (for instance, space colonization) and on a small one (for instance, genetic engineering or cryptocurrencies, which exist as bits of code inhabiting physically tiny computer storage drives). The coppery orange color of this fractal is, of course, fitting for gears, but it also completes the color scheme for the U.S. Transhumanist Party, whose colors are orange and black. Orange, in particular, depicts the new political paradigm we seek to bring about. On the visible-light spectrum, orange is between red and yellow. In conventional politics, red has often been associated with socialism, while yellow has often found uses in libertarian symbols. B.J. has a history of involvement with socialist ideas and causes, while I have a (small “l”) libertarian background and sympathies (although the world and life are complicated!) – and yet the future cannot be won by either socialism or libertarianism as such. Rather, the orange color evokes our attempt to take the best aspects of these movements, leave behind ideas that did not anticipate the technological future, and invite all thinkers of good will to participate in the creation of the new era, whose political ideology will differ immensely from anything that came before. One reason why the Transhumanist Party has remained ecumenical and diverse – without being able to be pigeonholed as either “right” or “left” – is because B.J., like me and the rest of our Officer team, has understood and embraced the desirability of keeping it out of the political trenches and, instead, focused toward the stars.

Abstract Orderism Fractal 70

Abstract Orderism Fractal 70 – by G. Stolyarov II

Note: Left-click on this image to get a full view of this digital work of fractal art.

Abstract Orderism Fractal 70  is dedicated to Kim Bodenhamer Smith, who is herself an artist and combines a unique and extensive variety of passions and activities. One of these activities is unicycling in caves. (I am not sure just how she does it, but she does!) If you follow the progression of the circles in the center of this fractal, you will see the resemblance to a time-lapse of a unicycle wheel entering a cavernous tunnel. Of course, I made this fractal more colorful than the typical cave, because that would convey Kim’s personality more accurately.

In addition to sharing a commitment to truth and justice, Kim also has a highly creative mind and thinks outside of conventional parameters to seek solutions to today’s problems and ways to improve life on both large and small scales. She contributed great insights to our recent Discussion Panel on Art and Transhumanism, and she embraces technology and the innovative use of media in ways that get people thinking about how the world might be changed for the better. She has been a great ally to the U.S. Transhumanist Party as we seek these new paths that will lift humankind into its new era of advancement.

Abstract Orderism Fractal 71

Abstract Orderism Fractal 71 – by G. Stolyarov II

Note: Left-click on this image to get a full view of this digital work of fractal art.

Abstract Orderism Fractal 71 is an example of what happens when an artificial intelligence is fed desserts. I started out with a fractal that somewhat resembled an ornate display dish on which desserts might be served. Then I used the Google Deep Dream Generator to sequentially feed it images of cakes and cupcakes by Tiffany Henderson Bateman, who has a thriving baking business. As the AI was “dreaming” of delicious treats, the fractal was transformed! 

Abstract Orderism Fractal 72

Abstract Orderism Fractal 72 – by G. Stolyarov II

Note: Left-click on this image to get a full view of this digital work of fractal art.

Abstract Orderism Fractal 72 is dedicated to John Marlowe, whose staunch advocacy for patients of rare diseases is greatly needed in today’s medical system. In spite of his own struggles, John has found the time and energy to contribute to the transhumanist movement and has been a great friend of the U.S. Transhumanist Party, which embraces any and all efforts to increase medical research and funding toward combating as many rare diseases as possible. John has offered excellent insights on films and science fiction at the Discussion Panel on Art and Transhumanism, and I also enjoyed conversing with him at length at the Super Longevity Holiday Party in Newport Beach. John has been there for our movement and for me personally when we needed both a thoughtful and encouraging voice. We will be there for him and for everyone who needs the public, entrepreneurs, and officials alike to recognize the urgency of fighting every disease with the resources at our disposal.

This fractal might be best interpreted as a view from the top down of an upward spiral of progress, from which luminous flames fan out. This can be seen as an illustration that, from the advancement of medical science in general, specific insights and breakthroughs will arise to cure one disease after another – including rare ailments with no known cures today. We do not always know what the breakthroughs will be or which diseases will be defeated when – but the combination of scientifically informed hope and the ceaseless outward pushing of the boundaries of knowledge will improve the chances of as many people as possible. We have a long struggle ahead to win the war against disease and death, but with John as an ally, the Transhumanist Party will strive to make concrete differences for as many people as possible along the way.

About the Abstract Orderism Fractals

Each fractal above is a digital artwork that was created by Mr. Stolyarov in Apophysis, a free program that facilitates deliberate manipulation of randomly generated fractals into intelligible shapes.

This fractal is an extension of Mr. Stolyarov’s artistic style of Abstract Orderism, whose goal is the creation of abstract objects that are appealing by virtue of their geometric intricacy — a demonstration of the order that man can both discover in the universe and bring into existence through his own actions and applications of the laws of nature.

Fractal art is based on the idea of the spontaneous order – which is pivotal in economics, culture, and human civilization itself. Now, using computer technology, spontaneous orders can be harnessed in individual art works as well.

See the index of Mr. Stolyarov’s art works.

Moon Ribas – Seismic Sense

Moon Ribas – Seismic Sense

Moon Ribas


 

It’s 2018, another year in this shared reality of ours. We’ve come a long way, perfecting our technological prowess as we continue our evolution into the post-human.

There are cyborgs out there. In fact, most of us are pretty much cyborgs at this point. However, it is indeed likely only some of us are truly beginning to tap into that potential.

Moon Ribas is known to the world as the Catalan avant-garde artist and a cyborg activist. Moon Ribas is one of those cyborgs, an example of the elegantly functional relationship between human and machine.

With an online seismic sensor directly implanted above her left elbow, she is able to perceive the vibrations of nearby earthquakes via data from a custom iPhone app that consolidates seismic activity from geological monitors around the world. Ribas then transposes this ‘seismic sense’ into bodily movement in her graceful performance known as Waiting for Earthquakes or into sound in her piece Seismic Percussion.

With the subdermal implant, Moon Ribas is able to further push the boundaries of perception and experience by means of personal augmentation. During the devastating 7.8 earthquake that struck Nepal in 2015, Ribas was awoken by a wave of vibrations in the middle of the night. She recalls it as the most peculiar of sensations, also describing it as her second heartbeat as she is able to empathize with the people experiencing the quake. This has lead her to advocate for a better understanding of the natural phenomena so that us humans may be able to better adapt to our own planet’s movements.

Along with Neil Harbisson, another fellow cyborg, they have co-founded the international organization Cyborg Foundation in the pursuit to help all the rest of us become post-human and to protect our rights as post-humans.

It is the insatiable creative thirst of humans like Moon Ribas that slowly pushes us to the inevitable brilliant future that is to come. 

Moon Ribas is an artist and activist. More of her beautiful work can be found on her site.

~ Emanuel Iral, Director of Visual Art, U.S. Transhumanist Party, January 11, 2018 

Unique Forms of Continuity in Space – Umberto Boccioni

Unique Forms of Continuity in Space – Umberto Boccioni

Umberto Boccioni


 

The ideas of Transhumanism and post-humanist thought may seem as if they belong to the 21st century, but humans have been capturing such an imagination of the future by means of artistic expression way before they could see the state of technology today.

It was an 1909 when Italian poet F.T. Marinetti laid out the core tenets of the Futurism Movement in his manifesto. Futurism can be seen as one of the points of origin for the beautiful relationship of transhumanism and art. Born out of an era of a growing disdain for the fascist government in Italy and the state of the world at the time, Futurism called upon the prospect of bringing a future of youth, industry, and advancing technology. The Futurist Movement thus gave birth to an era of artists that aimed to capture the essence of a possible future where the lines between technology and human were completely blurred.

Unique Forms of Continuity in Space is a bronze cast sculpture that is heavily regarded as one of the core works that truly represent the aesthetic of the Futurist Movement. It’s creator was Italian artist, Umberto Boccioni. Boccioni was one of the principal figures that shaped the art of Futurism as he advocated the use of dynamic movement and the deconstruction of masses.

In Unique Forms of Continuity in Space, Boccioni presents viewers with a human figure with deconstructed masses that appear to be aerodynamic. The figure is engaged in pursuing one direction, almost as if it were its sole purpose; to move forward against the winds of demise. The deconstructed masses and lack of arms, or face for that matter, allows the viewer to perceive something that could be beyond human. It is evident that Boccioni wants us to see our body as nothing but a mere vessel that can be molded and shaped in any way imaginable, allowing us to transcend the boundaries of the physical, organic body. The lack of a discernible face implies that Boccioni believes that we should no longer identify who we are by how we perceive our current physical form. We are not bound by how we look in the mirror.

It is the creative minds like Boccioni that provoke the most profound questions concerning the state of humanity. Art is the very force that propels our human imagination forward. Now that we are nearing the end of 2017, I love looking back at how far we have come as a species despite the abundant setbacks. Art will never cease to encourage the human spirit to move forward because in the end, it is life that imitates art.

Many of the works of Umberto Boccioni and the Futurist Movement can be experienced at the New York Metropolitan Museum of Art.

~ Emanuel Iral, Director of Visual Art, U.S. Transhumanist Party, December 8, 2017