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What is Transhumanism? – Graphics by Luis Arroyo

What is Transhumanism? – Graphics by Luis Arroyo

Luis Arroyo


Editor’s Note: The U.S. Transhumanist Party features this set of graphics by our member Luis Arroyo to bring attention to an interesting and worthwhile outlook on transhumanism. This is meant as a brief but informative overview of some transhumanist ideas as well as the diversity of thought within the transhumanist movement. Also, these graphics are effective for sharing on various social-media platforms.

~ Gennady Stolyarov II, Chairman, United States Transhumanist Party, August 26, 2021


References

[1] Agence France-Presse. “Paralysed man walks using mind-controlled exoskeleton”. 4 October 2019. Available at https://www.theguardian.com/world/2019/oct/04/paralysed-man-walks-using-mind-controlled-exoskeleton

[2] Katie Tan. “Duke surgical team successfully implants new generation artificial heart in patient, first in U.S.” The Duke Chronicle. 29 July 2021. Available at https://www.dukechronicle.com/article/2021/07/duke-university-hospital-health-artificial-heart-transplant-research-study-carmat

[3] Saqib Shah. “A magnetic helmet shrunk a deadly tumor in world-first test”. Engadget. 26 July 2021. Available at https://www.engadget.com/magnetic-helmet-tumor-093523598.html

[4] American Friends of Tel Aviv University. “Tel Aviv University study finds hyperbaric oxygen treatments reverse aging process”. EurekAlert! 19 November 2020. Available at https://www.eurekalert.org/news-releases/667837

[5] The Washington Post. “His voice silenced for years, a man can now communicate using only the electrical impulses from his brain”. 14 July 2021. Available at https://www.washingtonpost.com/health/paralyzed-man-can-communicate/2021/07/14/3a9ce638-e4b5-11eb-8aa5-5662858b696e_story.html

[6] Phys.org. “Scientists create embryos to save northern white rhino”. 30 July 2021. Available at https://phys.org/news/2021-07-scientists-embyros-northern-white-rhino.html

 

Transhumanist Art by Luis Arroyo

Transhumanist Art by Luis Arroyo

Luis Arroyo


Editor’s Note: The U.S. Transhumanist Party features this set of three artworks by our member Luis Arroyo in order to highlight the creative variety and diversity in political views that exist among our membership base. Luis Arroyo’s work combines influences from art history, transhumanist philosophy, and political thought with an aspiration to achieve a transhuman future. 

~ Gennady Stolyarov II, Chairman, United States Transhumanist Party, July 26, 2021


Transhumanism – Digital Artwork by Luis Arroyo

Description by the Artist: Some basic edits along with the term “transhumanism” in front of a black blocked like background; the  the sculpture of the statue is David Prime by Imagine Lion.

 

FM-2030 – Digital Artwork by Luis Arroyo

Description by the Artist: “A photo of the Iranian-American FM-2030 as indicated by the texts with some basic edits over it. FM-2030 is most notable for his book Are You a Transhuman?

Let’s Seize the Newest Means – Digital Artwork by Luis Arroyo

Description by the Artist:This photo was made from a very leftist perspective hinting towards the possibilities if today’s technologies were used for the sustaining and prosperity of the human species instead of the maximization of profit, reasonably one can expect such policies that transhumanists could support to be passed given the general human notions to advance ourselves and society.

Review of Rykon Volta’s “Arondite” – A Fascinating Exploration of a Hypothetical Future History, With Relevance to Our World – by Gennady Stolyarov II

Review of Rykon Volta’s “Arondite” – A Fascinating Exploration of a Hypothetical Future History, With Relevance to Our World – by Gennady Stolyarov II

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Gennady Stolyarov II


 

Arondite by Rykon Volta offers a fascinating exploration of a hypothetical trajectory of humankind’s future history, in which Hugo de Garis’s dire predictions of an “Artilect War” had come to pass. As in de Garis’s narrative, so in Volta’s, the anti-technological reactionary Terran faction initiates that war to assail emergent sentient artificial general intelligences and their philosophical allies, the pro-innovation Cosmists. Rather than allow such artificial general intelligences to develop, the Terran General Vantus destroys the entirety of the Earth in the year 2071 and binds the remnants of humanity to an Artilect Protocol, which imposes the harshest punishments on any humans who experiment with genetic modification, cybernetic implants, or artificial intelligence.

The story of Arondite takes place 500 years later, in 2571-2572. Humanity has, over the course of five centuries, risen slowly from the ashes of the Artilect War, and multiple competing societies and governments have taken hold in the Solar System – particularly the Martian Republic and the Jovian Empire, who are now on the edge of major war. The historical narratives at the beginning of each chapter are among the most intriguing aspects of Arondite and serve to add great depth to the world in which the events of the plot transpire. Indeed, the historical scenario presented by Volta is reminiscent of two epochs already experienced by humankind: the emergence of Classical Antiquity after a gradual recovery from the Late Bronze Age Collapse, and the rise of Medieval and then Renaissance societies after the Dark Ages following the fall of the Roman Empire. Every such recovery of civilization is a testament to human ingenuity in the face of immense adversity, and in the world depicted by Volta, the hardships of outer space certainly magnify those constraints for the remnants of humanity. Yet by developing extensive settlements both on multiple planets and in space, as well as advanced spacefaring vessels on which much of the book’s plot takes place, humans demonstrate irrepressible innovation by advancing in practically the only directions available to them. Still, the harsh boundaries imposed by the Artilect Protocol are beginning to fray, and indeed, would need to be overcome in order for further progress in the Solar System to be possible.

The protagonists of Arondite are a group of space pirates – Peron, Ashlyn, and Carlile, as well as their various and situationally shifting allies – who are quickly drawn into matters far weightier and more perilous than they could have expected, as they unwittingly find themselves at the epicenter of the struggle by multiple major powers for the Arondite Chip – a map to one of the few artilects rumored to remain. Without revealing the specific details, the plot features numerous rapid developments in this struggle – filled with shifting allegiances, sudden changes of fortune, and revelations of hidden motives which diverge from surface appearances. The reader is kept wondering throughout as to who will gain possession of the Arondite Chip – the pro-artilect Acliate Brotherhood, the Martian Republic, the Jovian Empire, the tense and ever-precarious alliance of the protagonists who must resist pressures from each of these forces, or perhaps someone else entirely. Characters from every faction, however, are united in their recognition of the vast transformational power of an artificial general intelligence; some fear it and wish to destroy it, whereas others wish to harness it for their own objectives. But will the protagonists be not only capable enough to locate this artilect, but wise enough to truly understand its capabilities and nature – and respect its autonomy?

The events of Arondite are driven strongly by all-too-familiar flaws of human character – from irrational fear to the desire for the subjugation of others to the perception of existence as a zero-sum struggle of all against all. Because of the prohibitions of the Artilect Protocol, these flaws have persisted and become endemic within the societies of 2571; after all, no fundamental improvements upon human nature had been made available via technological pathways. Thus, for all of humankind’s spacefaring progress, the aforementioned deleterious vestiges of the suboptimal evolution of the human mind had not been corrected; another major war looms on the horizon and threatens to undo centuries of hard-earned advancement. However, the rediscovery of the artilects might just open an entirely different and more hopeful set of possibilities for the future of civilization.  One can only hope that, in our own civilization, that set of possibilities can be opened much sooner and with major conflicts averted.

Through the plot of Arondite, Volta illustrates the futility of attempting to impose restrictions on technological progress – restrictions which only serve to mire humankind in an escalating war of all against all. The protagonists are thrust into such an all-encompassing struggle, but because of their relative naiveté (despite being space pirates) are able to keep their minds open to alternative possibilities and thus have a chance to bypass the numerous hostile forces and machinations standing in their way. There is a broader message contained in this kind of narrative – the ability of an earnest individual, who is not altogether experienced with “the way things are done” in a given field, to significantly influence that field and overcome institutional barriers that had hitherto prevented progress past a certain point. Both in the world of Arondite and in our world, Volta shows that the philosophy of transhumanism, with its openness to technologies that can radically transform the human condition to remedy age-old flaws, is the way forward, transcending the destructive power struggles which needlessly stunted the advancement of humanity in the past.

Gennady Stolyarov II is the Chairman of the United States Transhumanist Party. 

Arondite is available on Amazon in hard-copy and Kindle formats here

Watch the U.S. Transhumanist Party Virtual Enlightenment Salon of  July 19, 2020, when Rykon Volta was the guest of honor and discussed Arondite and the ideas surrounding it with the U.S. Transhumanist Party Officers.

 

Artist Dinorah Delfin, The Transhumanism Handbook, and a Super Wellness and Longevity Seminar and Book-Signing Event in Burbank, California

Artist Dinorah Delfin, The Transhumanism Handbook, and a Super Wellness and Longevity Seminar and Book-Signing Event in Burbank, California


 

August 8, 2019 – Artist, activist, and futurist, Dinorah Delfin shares her essay “An Artist’s Creative Process: A Model For Conscious Evolution” – for free download.

Abstract: “A great future is opened to humanity. Our interconnectedness with nature, the tools we use, and the narratives we create, is reaching a pinnacle. For the first time in human history, we have the means to consciously alter the fate of our evolution. New technologies are not only becoming increasingly embedded in our biology—giving us unprecedented human abilities—but this transition is also driving us to explore new notions of what it means to be human.

In transitioning to this post-human era, how can one adopt a framework for cognitive and physical enhancement that accounts for ways to ensure that this new era is also more consciousness-oriented, safe, and egalitarian? In this essay, I’m presenting five art projects I created from 2007 to 2017 to showcase how an artist’s creative process, coupled with Transhumanist sensibilities, can lead to positive social change and towards a future that is more just and humane.”

 

Ms. Delfin’s essay is available in the newly published “The Transhumanism Handbook” (Switzerland: Springer Nature, 2019. #1 New Release in Preventive Medicine on Amazon.com) – edited by Newton Lee, Chairman of the California Transhumanist Party and Founder and President of the Institute for Education, Research, and Scholarships (IFERS); an award-winning nonprofit public charity organization.

“This book is a milestone publication in transhumanist thought,” says U.S. Transhumanist Party Chairman Gennady Stolyarov II – whose essay on the topic of transhumanist politics is also featured.

This 858-page book showcases the work of over sixty transhumanists around the world including David Wood (Transcending Politics), Dr. Jose Luis Cordeiro (The Death Of Death), Dr. Michael Rose (UC Irvine), and social entrepreneur Liz Parrish (BioViva).

To commemorate this special achievement, there will be a super Wellness & Longevity Seminar & Book Signing Event on Saturday, August 24, 2019, at the Burbank Marriott Airport Hotel & Convention Center in California.

Contributing authors who will be present include Newton Lee, Gennady Stolyarov II, Dr. Michael Rose, and artist Dinorah Delfin.

Registration to this event is required.

You can purchase The Transhumanism Handbook in full. All proceeds (minus the publisher’s share) are donated to ongoing charity projects in education, research, and scholarships.

Please help spread the word! Thank you.

Hybrid Resonance and the Latin American Art of the East-End, Long Island: An Exhibition and Artist Talk Review – Article by Dinorah Delfin

Hybrid Resonance and the Latin American Art of the East-End, Long Island: An Exhibition and Artist Talk Review – Article by Dinorah Delfin

Dinorah Delfin


Hybrid Resonance” art exhibition at Ashawagh Hall, East Hampton, N.Y. April 5-7, 2019.

I was recently invited to be part of an art exhibition which explored some fundamental topics related to my area of artistic research and activist initiatives. The event, “Hybrid Resonance,” and the artist talk that followed two weeks later, revealed that Latin American art is not only a hybrid mix of cultural influences but also a mixed-breed of personal achievements and sacrifices in the pursuit of novelty, preservation, and adaptation.

In this article, my first exhibition review and account of the artist talk that followed, I hope to share a comprehensive reflection and critical analysis of contemporary Latin American art from Long Island, New York, and its global relevance as we continue to stand in solidarity towards Venezuela’s Liberation.

PART # 1 – HYBRID RESONANCE: AN ART EXHIBITION AND BENEFIT FOR VENEZUELA 

Artwork on view, from left to right: Aner Candelario, Gustavo Bonevardi, Alex Vignoli, & Enrique Martinez, a.k.a. Mago.

Thirteen East End, Long Island artists and a selection of contemporary Venezuelan art were selected for “Hybrid Resonance,” an exhibition organized by art consultant and curator, Esperanza Leon, to raise awareness about Latin American art and Venezuela’s current humanitarian crisis. 

Ms. Leon, also born in Venezuela, organized a powerfully relevant and emotional exhibition which displayed the hybrid nature of Latin-American art, re-defined by a global heritage of analog and digital hybridity. 

The art, the awareness, the solidarity, this exhibition was beyond personal. Works like “Venezuela Divided,” by American artist, Gustavo Bonevardi, captures the fractured spirit of a displaced nation whose hope persists as the flag’s iconic rainbow stars remain centered, never out of sight. Maria Schon’s reductive and organic shapes transcend location, as tropical greens, blues, and yellows resonate with childhood memories and the primal subconscious.

With resounding rhythm and improvisation, “Hybrid Resonance”, also featured live Latin music by the jazzy Velvet Mood; Hispanic vibes by D.J. Carlos Lama; and a selection of Venezuela’s Ron Diplomatico and traditional “arepas” from Caracas Arepa Bar restaurant. 

Latin American Art


Artwork by Venezuelan Reinaldo Crespo

What does it mean when Jerry Saltz, esteemed and renowned art critic, says: “Art contains a multitude”?

Artists embrace complexity and paradox. We often oscillate between different perspectives and painfully obsess over the spaces between objectivity and subjectivity. We want to strip it all off, or integrate it all – art, culture, spirituality, science, technology, the irrational – unveiling unexpected connections between seemingly unrelated disciplines. We often shift back and forth between fantasy and a rooted sense of reality, between playful extroversion and disciplined introspection, between a sense of abstraction and a concrete sense of self.  

So what makes Latin American art more pluralistic in its inherent multitude? 

When people think of Latin American art, it is often associated with murals depicting religious narratives, or political and social unrest; or one thinks of the optical and geometrical kinetic sculptures of the Venezuelan Avant-Gardes. While Latin American art shares the mestizo roots of our European, African, and Indigenous ancestry, this collective experience of conquest, slavery, and imperialism, has always provided a fertile ground for the cross-breed of new and exotic forms of artistic expression.

Today, Latin American art couldn’t be more relevant. As we become more active participants in global networks, not only we have our shared pre-Columbian and European influences to draw inspiration from, but we are also in a unique position to capture the multi-cultural conditions of the global citizen.

Artists present in “Hybrid Resonance” had roots in Venezuela (Maria Schon, Walt Lindveld, and myself), Puerto Rico (Aner Candelario and Darlene Charneco) Ecuador (E. Osbaldo Segura), Colombia (Mago), Brazil (Alex Vignoli and Dalton Portella), and Uruguay (Aurelio Torres), Gustavo Bonevardi (Argentina), Nadine Daskaloff (Mexico). 

Additionally, the exhibition showcased a selection of basketry from the Yekuana and Yanomami Venezuelan tribes, and folk art and other hand-crafted works created by Venezuelan artisans, designers, and fine artists, many of whom still reside there. In this section of the exhibition gallery, there were also the works of Reinaldo Crespo, Astolfo Funes, Eduardo Barcenas, Humberto Salas, and Abdul Vas. 

Venezuelan Crises

“The very rich culture of Venezuela is often overlooked due to the current crisis. In the past, the country was known for its petroleum, now, for its critical economic and humanitarian decline.” – Leon

In Venezuela, eight out of ten people currently live in poverty. There is extreme insecurity and shortages of food and medicine, with millions having access to barely one meal a day. Since 2015, the United Nations estimated that approximately three million people have left Venezuela, including many young males looking for opportunities and ways to help their families; leaving the children, women, and the elders behind.

Hybrid Resonance” wasn’t only to raise awareness about Latin American art, but also to raise funds to help Venezuela. On the last day of the exhibition, Leon, Venezuelan artist Maria Schon, and I, also hosted a tour to discuss the art and the current humanitarian crisis in Venezuela. 

Hybrid Resonance” was able to raise almost $3,000 which is given to selected charities providing aid in Venezuela. These organizations include Rescate Venezuela (rescatevenezuela.com), Alimenta la Solidaridad (alimentalasolidaridad.com), and International Rescue Committee (https://www.rescue.org/country/venezuela). 

Awareness with Foresight  

Bob” by Dinorah Delfin. Image courtesy of Casey Dalene.

There were two instances during “Hybrid Resonance” that were of particular interest for me:

Self-learning algorithms: One person in the exhibition interested in learning about my art piece on display, “Bob” 2019, from my Hybrid series, expressed concern about self-learning algorithms and the possibility of a “Terminator-like” future. I sympathized. I happen to be part of a movement that raises awareness about issues related to advanced technologies. I explained that the most important thing one can do is to help raise awareness about these issues by also advocating against any form of prejudice and segregation.

The focus of my next body of works, a re-interpretation of Dante’s Divine Comedy, touches upon issues related to Artificial Intelligence (AI). Algorithmic bias is a rising global problem with unprecedented consequences – it is threatening to replace human thought and ability to form opinions with machine thinking. Some experts believe that as biased AI becomes more autonomous and ubiquitous, the greater the existential threat to humanity will be. 

AI doesn’t evolve in a vacuum, however. Just like our beliefs write the fate of our future, our thinking machines echo human flaws and values. The field of AI and GAI (General Artificial Intelligence) ethics is a stark wake-up call and a powerful reminder that a lack of spiritual maturity, or emotional intelligence, is one of humanity’s greatest existential risks. 

In our continuous liberation from injustice and prejudice, and as we push forth new ways to re-think what it means to be human, it is crucial to remember that every time an algorithm targets or discriminates against someone based on physical, or non-physical demographics, we are inadvertently training self-learning machines to discriminate against humanity as a whole.    

Transhumanists are as concerned as you are: Another interesting moment during “Hybrid Resonance” was when someone recognized me from my participation in the Transhumanist Movement. Apparently, the person had “unfriended” me from Facebook because of my affiliation to the movement. I was not surprised; the movement itself is dealing with an identity crisis as it strives to remain a truly progressive and beneficial asset to society. What is most important to keep in mind, however, is that the less we understand how advanced technologies affect our every day lives, the less prepared we will be at setting up the necessary infrastructure to ensure that “transhumanist” technologies are used fairly and responsibly.  

PART # 2 – ART + BIOCULTURALISM: AN ARTIST TALK

Art + Biculturalism: An Artist Talk hosted by Esperanza Leon and Casey Dalene at the Maidstone Hotel, East Hampton, N.Y.

If all art is autobiographical, what are oval-shaped nature escapes, recycled sculptural books, and sculptural pixelated faces telling us about our time; about an individual’s journey, cultures, and the global family as a whole?

Art + Biculturalism, an artist talk hosted by Esperanza Leon and Casey Dalene, as part of their Art Salon series, was organized two weeks following the exhibition “Hybrid Resonance,” to offer a more comprehensive understanding about the different influences shaping the individual expression of Latin American artists living in the East End, Long Island, New York. 

The talk featured artists Maria Schon, Alex Vignoli, and myself. We all shared how the advantages and challenges that come from migrating one’s birthplace and adapting to new territories, is an invaluable process which has not only shaped our unique individual expressions but also constitutes a reflection of the collective global experience.

The Gaia Within

There are different theories about what the 20,000-year-old Lascaux cave paintings signify. Whatever inspired these exquisite renditions of nature and the human condition, one thing is indisputable, these are the works by a unique breed of people who like to look at things, think about things, and record what they perceive, remember, and/or feel. These gentle cave-men and women were obsessed, expressive, sensible, naughty, and highly self-aware and skilled people who ventured into womb-like, almost inaccessible caves, to be able to create their harmony and pro-life-inspired wall carvings, stamps, and graffitis. 

Exuding a voluptuous luminosity and a palpable feel of nature’s texture, curves, and edges, which only a trained eye can masterfully illustrate, Schon’s paintings transport us to a place not so different from that experienced by our pre-historic ancestors. Behind Schon’s reductionist abstraction of childhood memories, as she later explained in her talk, there is also something beautifully dense and complex appealing to the primal subconscious. By juxtaposing basic design elements such as form, color, texture, light, and composition, Schon’s paintings gently trigger a universal drive to co-exist symbiotically and in harmony with Nature — our progenitor and co-creator. 

Opportunity Cost

Up-cycling meaning, through found books, is how artist Alex Vignoli cleverly integrates his photographic skills with his personal values — to conjured up still life images of social relevance and timeless beauty.

Pictures of open books, with folded and rolled up pages; as relics of the past as we become increasingly more digitized; or as relics of the wise, as those who cherish harmony understand that a sustainable future is for those who can leverage both of our digital and biological potentials.  

Vignoli’s sleek and minimal photographic images unfold into an equally relevant, and obscure, subject; the art market. Bringing awareness into paradoxical and controversial issues such as educational reformation and digital technologies, goes hand in hand with reformations needed in society’s moral value systems — humans make art to reflect back our humanness and flaws, we don’t want biased AI reflecting to, or for us.

Prejudice and discrimination are much more subtle and complex than it is normally spoken about, and it is no different in the art market, or the art community in the East End, Long Island — minorities have historically struggled for artistic recognition and financial success as academia tries to fit it all in one neat historical continuum. 

We are more than multi-cultural beings

Anthropology professor, Setha Low, during Art + Biculturalism shared about her interest in the idea of humans as “translocals” — beings embodying the physical sensation of living in two or more places at the same time. Corresponding to this idea is also that of “transhumans” — beings embodying both the physical sensation of living in two or more places at the same time, and the physical sensation of everything that is living, while on a journey to define and/or preserve the integrity of one’s individual essence and expression. 

In shifting to a conscious awareness of translocal spaces inhabited by humans transitioning into a posthuman era, we are experiencing a “re-inscription of old ideas and patterns but we are not holding on to it,” says Low. We are experiencing a political backlash and more segregation, she adds.

For “Hybrid Resonance,” I decided to showcase a piece of artwork which portrays the idea of a future hybrid being embodying both analog and digital qualities to bring awareness to this paradoxical issues. Evolution has taught us that life thrives on mutations and complexity; it isn’t up to humans to want to become ever more complex organisms. Transhumanism not only embraces this fundamental existential drive but also brings into light the dark side of the digital world and the dystopian futures we strive to prevent. We are all hybrids, and we are all accountable, after all.

Conclusion

Hybrid Resonance” echoed the spirit of the international Latino artist as our stories revealed one of broadened perspectives, resilience, and adaptation. The show was a reminder that we are living at the edge of an era that calls for a pluralistic, integral, and holistic intervention as we transition into a more complex socio-technological world.

Belonging everywhere and nowhere, “Hybrid Resonance” was above all about the sincerity of process and subject matter.

Dinorah Delfin is the Director of Admissions and Public Relations for the U.S. Transhumanist Party / Transhuman Party.

 

 

Fractal of 85 – Art by Gennady Stolyarov II

Fractal of 85 – Art by Gennady Stolyarov II

Gennady Stolyarov II


Fractal of 85 – by Gennady Stolyarov II

Note: Left-click on this image to get a full view of this digital work of fractal art.

This fractal was created by U.S. Transhumanist Party Chairman Gennady Stolyarov II as a present from one mathematician to another, based on 85-fold rotational symmetry for the 85th Birthday of his grandfather and namesake, Gennady Stolyarov I, on October 24, 2018. Notice how the rings can continue to stack along their orbit.

Gennady Stolyarov I, upon seeing the fractal, remarked that it illustrated to him that an entire lifetime is indeed long. However, in the view of Gennady Stolyarov II, it should be made even longer!

This digital artwork was created by Mr. Stolyarov in Apophysis, a free program that facilitates deliberate manipulation of randomly generated fractals into intelligible shapes.

This fractal is an extension of Mr. Stolyarov’s artistic style of Abstract Orderism, whose goal is the creation of abstract objects that are appealing by virtue of their geometric intricacy — a demonstration of the order that man can both discover in the universe and bring into existence through his own actions and applications of the laws of nature.

Fractal art is based on the idea of the spontaneous order – which is pivotal in economics, culture, and human civilization itself. Now, using computer technology, spontaneous orders can be harnessed in individual art works as well.

Happy New Years – Space Painting by Ekaterinya Vladinakova

Happy New Years – Space Painting by Ekaterinya Vladinakova

Ekaterinya Vladinakova


“Happy New Years” by Ekaterinya Vladinakova

Left-click on the image for a fuller view. You can also download this painting (3265 by 5000 pixels) here.

Happy New Years – indefinitely many of them! As we celebrate the arrival of 2019, we can find great inspiration in this painting by Ekaterinya Vladinakova. May we someday stand on worlds such as this distant cratered planet and observe nebulas like this one in glorious color.

Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.

Mountain in the Jungle: Habitable Exomoon – Painting by Ekaterinya Vladinakova

Mountain in the Jungle: Habitable Exomoon – Painting by Ekaterinya Vladinakova

Ekaterinya Vladinakova


“Mountain in the Jungle: Habitable Exomoon” by Ekaterinya Vladinakova

Left-click on the image for a fuller view. You can also download this painting (5000 by 2636 pixels) here.

The terraformed surface of an exomoon – another illustration by Ekaterinya Vladinakova of the lush worlds that can be created as a result of our species’ colonization of the cosmos. Let humanity venture forth to both discover and create such splendid new environments!

Ekaterinya Vladinakova is an accomplished digital painter. See her gallery here and her DeviantArt page here.

“Shattered” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

“Shattered” – Art by Laura Katrin Weston, a.k.a. Katrin Brunier

Laura Katrin Weston


Commentary by Gennady Stolyarov II, Chairman, United States Transhumanist Party: “Shattered” is a print by Dr. Laura Katrin Weston, a.k.a. Katrin Brunier, the original exemplar which I received in November 2017 due to my donation to the successful MouseAge crowdfunding campaign by Lifespan.io. Along with the three other artworks that I acquired from Dr. Weston – “Teeming”, “Graceful”, and “Squeak” – this print is featured as part of my Longevity Wall.

This work depicts how the forces of ruin can lead once-ornate and beautiful things to become eroded and deteriorated. This process, unfortunately, afflicts human organisms and minds as well, causing much of value to be lost or at least faded with time. Even with age, there remain in everything and everyone traces of the former splendor that can yet potentially be reclaimed – if humanity reconsiders its priorities and decisively commits to the war on ruin, including the quest to overcome aging and death.

Artist’s Description: “Time ravages even the greatest of minds, shattering them into a chaotic cloud of misfired potential. Once simple tasks become impossible, we become unable to live without aid, to live for ourselves any longer.

“I don’t know about you… But I don’t want that future. We have the power to change that. All we need is more support.”

You can find more work by Dr. Laura Katrin Weston at the Katrin Brunier Gallery, an Ethical Investment-Grade Art Gallery for the Neo-Renaissance Era (see its Instagram page). Proceeds from art sales at the Katrin Brunier Gallery will go to support causes such as medical research and conservation.