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The Human Condition Series – Debra Lott

The Human Condition Series – Debra Lott

Debra Lott


‘Trending 76×46 Oil on Canvas’

The anxiety of accidentally misplacing one’s phone, the fear that arrives of potentially missing important updates that could literally mean life or death is a reality all too real for many. It has become the norm of the 21st century to constantly check our phones and other devices for any signs of life; signs of connectivity to the world and others. We have become dependent to our devices, and humanity is slowly merging with and becoming inseparable from technology. The lines are almost totally blurred between man and machine but not only at a physical level, but now also delving deep within the emotional realm of the human psyche. That is exactly what Debra Lott beautifully illustrates in her oil painting series “The Human Condition“.
 
In her paintings, Debra depicts a colorful array of invasive wires, travelling between outlets and cybernetic implants, appearing almost constricting. According to the artist herself, the series visualizes the evolution of inter-relationship and inter-dependence between humanity and technology. “These figures symbolize the contemporary struggle to embrace, interact and stay current with 21st century technology; a love/hate relationship that empowers, improves quality of life, extends life and enslaves simultaneously.”
 
This love/hate relationship is what propels humanity to the impending future that looms near. It is a future where we must embrace the beautiful change that is to come as humanity’s capacity for knowledge increases and our manipulation of technology is nearly perfected. However, this future is overwhelming for some. Debra Lott offers a form of solace in the comfort that technology brings as she neutralizes the wires against backdrops of soothing pastel colors. Maybe one day machines will maximize the quality of life but will also know our every thought and emotion, maybe even hopes and desires. 
 

Transhuman 31×48 Oil on Canvas’

Debra Lott is a figurative oil painter and art educator. See the rest of her series and other work here.

~ Emanuel Iral, Director of Visual Art, U.S. Transhumanist Party, November 11, 2017

“The Singularity is Here” – Paintings by Leah Montalto

“The Singularity is Here” – Paintings by Leah Montalto

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Leah Montalto


Left-click on the thumbnails below to see a higher-resolution, downloadable image of each painting.

The U.S. Transhumanist Party is pleased to feature art by painter Leah Montalto, inspired by the concept of the Singularity. These paintings were originally exhibited at the Reis Experimental Gallery in Long Island City, NY, during March 23-25, 2016. See the page for the original exhibit, “The Singularity is Here“.

The paintings are a celebratory valuing of life. They are symbolic of the wonder inherent in the art of creation and building, alluding to the potential for the advancement of civilization.  The paintings celebrate the impulse toward reason, innovation, creation, and liberty.”  – Leah Montalto         

Description from “The Singularity is Here” Exhibit: 

In her large-scale paintings, Leah Montalto explores the visible and the invisible, the physical and the metaphysical, envisioning an expansion in both material and inner dimensions. With a masterful deployment of color, and a dynamic sense of motion, her paintings defy convention by simultaneously revealing two paradoxical perspectives.

From one perspective, Montalto’s paintings are classical landscapes, inspired by the tradition of the Hudson River Landscape School.   Montalto creates futurist landscapes, taking the viewer on a three-dimensional journey through outer space, and through imagined nanotech creation scenes in scales both massive and miniature.  Structures break apart, coalesce, and reform as she evokes the spirit of creation, transformation, and reconstruction.

From a second perspective, Montalto’s paintings are two-dimensional abstract paintings, evoking the physiological effect of gazing at a Tibetan mandala, offering an entry to an internal space of reflection, contemplation, and illumination.

With these paradoxical yet simultaneous perspectives – alternating between three-dimensional space and internal vision, Montalto’s paintings evoke an exhilarating sense of the potential of new worlds and new ways of thinking.  Montalto’s paintings present an optimistic view of the future, of transformational possibilities, and of a merging of the material environment and the psyche, and of nature and technology.

Leah Montalto was born in Boston, MA in 1979.  She lives and works in New York City and Queens, NY.  Montalto holds an MFA from Rhode Island School of Design and a BFA from the Cleveland Institute of Art.   She is the recipient of numerous awards, including the National Academy Museum of Fine Art’s Hallgarten Prize for Excellence in Painting, and a New York City Cultural Commission Individual Artist Grant.   Exhibitions of her work include shows at the National Academy Museum of Fine Art in New York City, Priska Juschka Fine Art Gallery in New York City, Reis Experimental Gallery in Queens, University of Michigan Gallery in Ann Arbor, and the Korea Biennial.  Montalto has taught painting at Sarah Lawrence College, State University of New York at Purchase, Massachusetts College of Art and Design, University of Connecticut, and Rhode Island School of Design.