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New Decade’s Message for the 2020s by USTP Chairman Gennady Stolyarov II

New Decade’s Message for the 2020s by USTP Chairman Gennady Stolyarov II

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Gennady Stolyarov II


As 2019 draws to a close, Gennady Stolyarov II, Chairman of the United States Transhumanist Party / Transhuman Party and Editor-in-Chief of The Rational Argumentator, expresses hope that humankind will emerge from the “Crazy Years” and offers ten concrete resolutions for human achievement during the 2020s. This message was recorded on December 31, 2019, and is available for viewing here.

As 2019 draws to a close, let us bid farewell and good riddance to a decade which could, in retrospect be referred to using the prophetic Robert Heinlein term, “The Crazy Years” – a turbulent, conflicted decade during which, while glimmers of hope appeared on multiple fronts of technological advancement, society and culture have clearly declined due to the rise of incivility, tribalism, authoritarianism, identity politics, and mass breakdowns of sanity. It is no secret that I had hoped for humankind to have been farther along the path of advancement by now than it has actually come. The great conflict of our decade – between the marvels that have been built by the creative and rational higher faculties of the human mind and the biases, fallacies, vulnerabilities, and atrocities spawned by its darkest evolved recesses – between the Apollonian heights and the Dionysian depths of human nature – will carry on into the 2020s and perhaps beyond. To win this conflict, those of us who desire a brighter future need to advocate for more progress, faster innovation, greater rationality, higher standards of civility and morality, and a long-term outlook that seeks to cultivate the best in human beings.

As the winds of fortune shift, some of us individually will rise, and others will fall. This certainly was the case this past decade. In so many respects, for me, it has been marked by colossal achievements and improvements, but also tectonic shifts in my own life which were not of my initiative – to which I needed to respond and adapt and preserve what I valued in the aftermath. Reflecting back on the end of 2009, and comparing it to today, I realize that absolutely everything about the circumstances of my life is now different… and yet I myself am essentially the same. I believe that it is this core of myself, this fundamentally constant and consistent identity, which has carried me through the crises and enabled me to defy adversity and arise stronger every time – to pursue new endeavors and take on new roles while remaining the same essential individual, to learn from the empirical evidence before me while maintaining the same convictions and understanding of the good. The events of the 2010s have illustrated for me that, indeed, peace and stability in life must ultimately come from within – although it is not a matter of withdrawal into the self or mere self-affirmation, as some popular creeds would claim. Rather, it is the self that must devise and implement solutions to the crises of the day while pursuing consistent improvement in as many dimensions as possible, and preserving that essential core intact.

It is beyond our power to live a decade over again, but we can harness the best of its aftermath and turn the coming decade into a superior and more rational one. Some of us will create resolutions as individuals, and then pursue plans of varying degrees of specificity and likelihood of success. But perhaps it is best to consider the resolutions we would wish to have for humankind as a whole. It is all well and good, of course, to wish for progress and prosperity, but it is also well-known that the resolutions which have the greatest likelihood of succeeding are those which are accompanied by concrete indicators of fulfillment. Therefore, I propose the following ten resolutions for humankind during the decade of the 2020s, which will enable us to empirically identify whether or not they have been fulfilled at the decade’s end.

  1. Construct the next world’s tallest building – because humankind must always reach higher.
  2. Build a base on the Moon – because it is time to colonize other worlds.
  3. Land a human on Mars – because it is time to expand beyond our orbit.
  4. Establish the first fully operational seastead communities – because it is time for human habitation to expand beyond land and for jurisdictional experimentation to resume in earnest.
  5. Have at least one person live beyond 120 years again – mathematically possible given that 10 of today’s supercentenarians are 114 or older; it is time to begin to approach Jeanne Calment’s longevity record of 122 years once more.
  6. Cut all world nuclear-weapon stockpiles in half – more than this has been done before, and so this is really quite a modest goal, but it is imperative to reverse the trajectory of the current arms race. Complete nuclear disarmament by all powers would, of course, be preferable, to finally dispel the “MAD” cloud of annihilation looming over our species.
  7. Compose 100 tonal symphonies – because it is time to rediscover beauty.
  8. Develop medically effective cures for every type of cancer – because, really, it is decades past time.
  9. End the decade with 50 percent of all vehicles on the road at level 2 autonomy or greater – because road deaths are a travesty and should become a relic of a barbaric past.
  10. Experience at least one year in which no country is at war with any other, with “war” including armed insurgencies and terrorist attacks – because national, ethnic, religious, and ideological warfare needs to be relegated to the past.

Of course, there are many worthwhile objectives not encompassed above, and it is my hope that efforts to reach those goals will also advance in parallel. You may have a list of ten resolutions for humankind that differs from mine, but they may be compatible nonetheless. The overarching aim, however, is to restore humanity’s much-needed confidence in progress, to emerge from the postmodern swamp of self-doubt and deconstruction and return to the heights of ennobling ambition and creation. Concrete benchmarks to track our progress can also serve the dual purpose of motivating people everywhere to undertake great tasks. A certain President has expressed the desire to make America great again, but I would venture to say that he has not selected the proper means for doing so. I challenge everyone during the next decade to make the world great again and demonstrate that the most impressive achievements and the most lasting solutions to our age-old problems are still to come. This is the message of transhumanism, and I hope that it can become the theme of the next decade – so that when I speak to you again at the decade’s end, we can reflect upon the wonders that have been built.

Join the U.S. Transhumanist Party / Transhuman Party for free, no matter where you reside. Apply here in less than a minute. 

Empowering Human Musical Creation through Machines, Algorithms, and Artificial Intelligence – Essay by Gennady Stolyarov II in Issue 2 of the INSAM Journal

Empowering Human Musical Creation through Machines, Algorithms, and Artificial Intelligence – Essay by Gennady Stolyarov II in Issue 2 of the INSAM Journal

Gennady Stolyarov II


Note from Gennady Stolyarov II, Chairman, United States Transhumanist Party / Transhuman Party: For those interested in my thoughts on the connections among music, technology, algorithms, artificial intelligence, transhumanism, and the philosophical motivations behind my own compositions, I have had a peer-reviewed paper, “Empowering Human Musical Creation through Machines, Algorithms, and Artificial Intelligence” published in Issue 2 of the INSAM Journal of Contemporary Music, Art, and Technology. This is a rigorous academic publication but also freely available and sharable via a Creative Commons Attribution Share-Alike license – just as academic works ought to be – so I was honored by the opportunity to contribute my writing. My essay features discussions of Plato and Aristotle, Kirnberger’s and Mozart’s musical dice games, the AI-generated compositions of Ray Kurzweil and David Cope, and the recently completed “Unfinished” Symphony of Franz Schubert, whose second half was made possible by the Huawei / Lucas Cantor, AI / human collaboration. Even Conlon Nancarrow, John Cage, Iannis Xenakis, and Karlheinz Stockhausen make appearances in this paper. Look in the bibliography for YouTube and downloadable MP3 links to all of my compositions that I discuss, as this paper is intended to be a multimedia experience.

Music, technology, and transhumanism – all in close proximity in the same paper and pointing the way toward the vast proliferation of creative possibilities in the future as the distance between the creator’s conception of a musical idea and its implementation becomes ever shorter.

You can find my paper on pages 81-99 of Issue 2.

Read “Empowering Human Musical Creation through Machines, Algorithms, and Artificial Intelligence” here.

Read the full Issue 2 of the INSAM Journal here.

Abstract: “In this paper, I describe the development of my personal research on music that transcends the limitations of human ability. I begin with an exploration of my early thoughts regarding the meaning behind the creation of a musical composition according to the creator’s intentions and how to philosophically conceptualize the creation of such music if one rejects the existence of abstract Platonic Forms. I then explore the transformation of my own creative process through the introduction of software capable of playing back music in exact accord with the inputs provided to it, while enabling the creation of music that remains intriguing to the human ear even though the performance of it may sometimes be beyond the ability of humans. Subsequently, I describe my forays into music generated by earlier algorithmic systems such as the Musikalisches Würfelspiel and narrow artificial-intelligence programs such as WolframTones and my development of variations upon artificially generated themes in essential collaboration with the systems that created them. I also discuss some of the high-profile, advanced examples of AI-human collaboration in musical creation during the contemporary era and raise possibilities for the continued role of humans in drawing out and integrating the best artificially generated musical ideas. I express the hope that the continued advancement of musical software, algorithms, and AI will amplify human creativity by narrowing and ultimately eliminating the gap between the creator’s conception of a musical idea and its practical implementation.”

U.S. Transhumanist Party Discussion Panel on Art and Transhumanism

U.S. Transhumanist Party Discussion Panel on Art and Transhumanism

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Gennady Stolyarov II
Emanuel Iral
Rachel Lyn Edler
John Marlowe
R. Nicholas Starr
Leah Montalto
Kim Bodenhamer Smith
Laura Katrin Weston
Ekaterinya Vladinakova


On November 18, 2017, the U.S. Transhumanist Party invited leading artists in a variety of media and styles to a two-hour discussion, moderated by Chairman Gennady Stolyarov II and Director of Visual Art Emanuel Iral, on the subject of Art and Transhumanism, delving into how and which works of art can help inspire humans to pursue the next era of our civilization – through promoting the advancement of science and technology, rationality, and/or a more hopeful vision of the future. The panel also explored various interactions between art and technology and ways in which art can improve human connection and understanding, while also comprising the very improved functionality that emerging technologies provide.

Panelists

Emanuel Iral

Emanuel Iral is Director of Visual Art for the U.S. Transhumanist Party.

Emanuel’s artwork ranges from traditional paint and pencil work to 3D digital work. Currently he is working on his VFX and animation skills, as he is producing short films for his music. He encompasses his art under the term Prismatis – Latin for prism.  A prism refracts white light into the three primary colors: yellow, magenta, and cyan. Prismatis is all about the aesthetic of human expression, which can be separated into the art, audience, and artist.

Rachel Lyn Edler

RachelLyn Edler is an accomplished graphic designer with over 20 years of creative experience. Rachel comes from a diverse background of product development, packaging and web design. In her free time she volunteers for several scientific and secular organizations including the Planetary Society, Richard Dawkins Foundation for Reason & Science and the Secular Coalition for America.

John Marlowe

John Marlowe was educated in film theory and trained in film production at UC Berkeley.  His outlook on film as a vehicle for social messaging has been largely influenced by his lifelong struggle with a genetic inborn error of metabolism, a type of disease that – until recently – was beyond the scope of medicine.  Consequently, John feels it is his onus to emphasize the artist’s responsibility in shaping the conversation regarding medical research, to create a society more amenable to scientific progress, rather than one fearful of change.

Leah Montalto

Leah Montalto is a painter based in New York City and has maintained a successfully operating painting studio in New York for the past 12 years.  Her paintings have been exhibited at the National Academy Museum of Fine Art in New York, and have been reviewed in the New York Times and the Providence Journal.  Leah’s paintings have received awards including the National Academy Museum of Fine Art’s Hallgarten Prize in Painting and the NYC Cultural Commission arts grant.  Leah is a former professor at Sarah Lawrence College, and has an MFA in Painting from Rhode Island School of Design.  Leah is not affiliated with the Transhumanist Party, but her paintings explore related themes.

Kim Bodenhamer Smith

Kim Bodenhamer Smith is a single mother of two boys living in Chattanooga, TN. She is a founding member of Southside Abbey, a Lay Missioner in The Episcopal Church, and an Outdoor Wear Business owner of Chilliheads. She is a caver, unicycler, and an aviation enthusiast and creator of #helichurch. She has a BFA in Metals and also studied Graphic Design and Political Science. *She also has many Tesla Tales to tell and is a Social Media Manipulator (different from a troll)!

R. Nicholas Starr

R. Nicholas Starr is an audio engineer and multimedia artist whose work focuses on Earth’s dystopias of past, present, and future. Also a biohacker, researcher, and theorist, he immerses himself in the subjects surrounding these worlds and has published several non-fiction articles and interviews. With an education in electronic signals intelligence from the United States Air Force, and 15 years of digital art and audio production in the US and abroad, he has become a unique voice for science fiction, the U.S. Transhumanist Movement, and American policy.

Ekaterinya Vladinakova

Ekaterinya Vladinakova is an accomplished digital painter and professional freelance illustrator. Vladinakova specializes in fantasy and science fiction work, but is also interested in editorial illustration. Vladinakova spends most of the day painting in Photoshop, creating scenes related to fantasy, or science fiction, as well as brushing up older works. Vladinakova’s paintings have been featured by the U.S. Transhumanist Party – including the “City of New Antideath” – a vision of the future which was commissioned for Mr. Stolyarov’s 30th Birthday.

Laura Katrin Weston

Dr Laura Katrin Weston is from England and studied Fine Art before going on to studying Medicine. She is a trained pathologist with a specialism in medical biochemistry and inflammation-related disease. She has used her medical knowledge and professional painting career to support Lifespan.io – one of the biggest life-extension research and advocacy charities. Laura is also vocalist for symphonic metal band Cyclocosmia – a music act that will be trying to raise awareness of transhumanist and human mortality issues in their next upcoming album.

The YouTube question/comment chat for this Q&A session has been archived here and is also provided below.

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See the U.S. Transhumanist Party FAQ here.

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