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Moon Ribas – Seismic Sense

Moon Ribas – Seismic Sense

Moon Ribas


It’s 2018, another year in this shared reality of ours. We’ve come a long way, perfecting our technological prowess as we continue our evolution into the post-human.

There are cyborgs out there. In fact, most of us are pretty much cyborgs at this point. However, it is indeed likely only some of us are truly beginning to tap into that potential.

Moon Ribas is known to the world as the Catalan avant-garde artist and a cyborg activist. Moon Ribas is one of those cyborgs, an example of the elegantly functional relationship between human and machine.

With an online seismic sensor directly implanted above her left elbow, she is able to perceive the vibrations of nearby earthquakes via data from a custom iPhone app that consolidates seismic activity from geological monitors around the world. Ribas then transposes this ‘seismic sense’ into bodily movement in her graceful performance known as Waiting for Earthquakes or into sound in her piece Seismic Percussion.

With the subdermal implant, Moon Ribas is able to further push the boundaries of perception and experience by means of personal augmentation. During the devastating 7.8 earthquake that struck Nepal in 2015, Ribas was awoken by a wave of vibrations in the middle of the night. She recalls it as the most peculiar of sensations, also describing it as her second heartbeat as she is able to empathize with the people experiencing the quake. This has lead her to advocate for a better understanding of the natural phenomena so that us humans may be able to better adapt to our own planet’s movements.

Along with Neil Harbisson, another fellow cyborg, they have co-founded the international organization Cyborg Foundation in the pursuit to help all the rest of us become post-human and to protect our rights as post-humans.

It is the insatiable creative thirst of humans like Moon Ribas that slowly pushes us to the inevitable brilliant future that is to come. 

Moon Ribas is an artist and activist. More of her beautiful work can be found on her site.

~ Emanuel Iral, Director of Visual Art, U.S. Transhumanist Party, January 11, 2018 

Unique Forms of Continuity in Space – Umberto Boccioni

Unique Forms of Continuity in Space – Umberto Boccioni

Umberto Boccioni


The ideas of Transhumanism and post-humanist thought may seem as if they belong to the 21st century, but humans have been capturing such an imagination of the future by means of artistic expression way before they could see the state of technology today.

It was an 1909 when Italian poet F.T. Marinetti laid out the core tenets of the Futurism Movement in his manifesto. Futurism can be seen as one of the points of origin for the beautiful relationship of transhumanism and art. Born out of an era of a growing disdain for the fascist government in Italy and the state of the world at the time, Futurism called upon the prospect of bringing a future of youth, industry, and advancing technology. The Futurist Movement thus gave birth to an era of artists that aimed to capture the essence of a possible future where the lines between technology and human were completely blurred.

Unique Forms of Continuity in Space is a bronze cast sculpture that is heavily regarded as one of the core works that truly represent the aesthetic of the Futurist Movement. It’s creator was Italian artist, Umberto Boccioni. Boccioni was one of the principal figures that shaped the art of Futurism as he advocated the use of dynamic movement and the deconstruction of masses.

In Unique Forms of Continuity in Space, Boccioni presents viewers with a human figure with deconstructed masses that appear to be aerodynamic. The figure is engaged in pursuing one direction, almost as if it were its sole purpose; to move forward against the winds of demise. The deconstructed masses and lack of arms, or face for that matter, allows the viewer to perceive something that could be beyond human. It is evident that Boccioni wants us to see our body as nothing but a mere vessel that can be molded and shaped in any way imaginable, allowing us to transcend the boundaries of the physical, organic body. The lack of a discernible face implies that Boccioni believes that we should no longer identify who we are by how we perceive our current physical form. We are not bound by how we look in the mirror.

It is the creative minds like Boccioni that provoke the most profound questions concerning the state of humanity. Art is the very force that propels our human imagination forward. Now that we are nearing the end of 2017, I love looking back at how far we have come as a species despite the abundant setbacks. Art will never cease to encourage the human spirit to move forward because in the end, it is life that imitates art.

Many of the works of Umberto Boccioni and the Futurist Movement can be experienced at the New York Metropolitan Museum of Art.

~ Emanuel Iral, Director of Visual Art, U.S. Transhumanist Party, December 8, 2017


Beeple: ZERO-DAY

Beeple: ZERO-DAY

Mike Winkelmann – Beeple

One of the most beautiful aspects I find about technology is its ability to allow us new forms of control and manipulation. Technology allows us to simplify many processes that seemed impossible in the past. When it comes to furthering man’s creative expression, there is absolutely no exception.

With the development of new programs and devices, digital art has entered a new realm of divine possibilities. Now, artists have the ability to render massive dream-like worlds without the use of an expensive VFX team. Surreal visions and ideas are now visualized through GIFs and mini video clips all across the Internet. Mike Winkelmann, better known on the internet as Beeple, is one of those highly gifted artists who uses a plethora of programs like Adobe After Effects and Maxon Cinema 4D, to name a few, to create intricate worlds that seem light-years into the future, or as near as tomorrow.

I’d describe Mike Winkelmann as a 3D juggernaut. He has been rendering images and GIFs every single day for the past few years now, furthering his abilities and creativity to bring us these awe-inspiring images of a possible future.

Zero-Day is a 3D ensemble directed by Winkelmann. Winkelmann pushes us through a mechanical wormhole of soul-pounding machines and whirling lights that are all in sync with a bass-crushing dubstep track. At first it may seem like an intense VJ clip, but in actuality it is a well-executed allegory of the evolution of technology and cyber warfare. Throughout the video, we hear and see fictional bits of interviews and news reports of the US developing new advances in cyber weapons and how that resonates with other global powers. It is a fictional account that seems like a near-perfect mirror of our current state of affairs, given the events of this past year. An epic commentary in all its cyberpunk glory, a masterpiece such as this should allow us to truly evaluate what we are doing now to for a future like that to happen. Maybe, that future is indeed already here. We can all agree that with new advancements in AI, the ongoing investigation of possible Russian influence of American politics through hacking, China becoming a leader in sustainable technology, and the many other accounts of technology entering the world of politics and global policy, Zero-Day doesn’t seem far off.

During our panel discussion on November 18th, participants spoke about how art influences people’s view of technology. It was agreed that there are many works that carry this dystopian outlook of the future, riddled with scenarios straight out of Orwell’s 1984. However, it is this type of work that should inspire us as the human race we are to ensure that we do not create this dystopian future, but instead aim to create a future in which technology amplifies life.

Mike Winkelmann is an accomplished VFX and motion graphics artist. More of his stunning work can be found on his site.


~ Emanuel Iral, Director of Visual Art, U.S. Transhumanist Party, November 24, 2017
The Human Condition Series – Debra Lott

The Human Condition Series – Debra Lott

Debra Lott

‘Trending 76×46 Oil on Canvas’

The anxiety of accidentally misplacing one’s phone, the fear that arrives of potentially missing important updates that could literally mean life or death is a reality all too real for many. It has become the norm of the 21st century to constantly check our phones and other devices for any signs of life; signs of connectivity to the world and others. We have become dependent to our devices, and humanity is slowly merging with and becoming inseparable from technology. The lines are almost totally blurred between man and machine but not only at a physical level, but now also delving deep within the emotional realm of the human psyche. That is exactly what Debra Lott beautifully illustrates in her oil painting series “The Human Condition“.
In her paintings, Debra depicts a colorful array of invasive wires, travelling between outlets and cybernetic implants, appearing almost constricting. According to the artist herself, the series visualizes the evolution of inter-relationship and inter-dependence between humanity and technology. “These figures symbolize the contemporary struggle to embrace, interact and stay current with 21st century technology; a love/hate relationship that empowers, improves quality of life, extends life and enslaves simultaneously.”
This love/hate relationship is what propels humanity to the impending future that looms near. It is a future where we must embrace the beautiful change that is to come as humanity’s capacity for knowledge increases and our manipulation of technology is nearly perfected. However, this future is overwhelming for some. Debra Lott offers a form of solace in the comfort that technology brings as she neutralizes the wires against backdrops of soothing pastel colors. Maybe one day machines will maximize the quality of life but will also know our every thought and emotion, maybe even hopes and desires. 

Transhuman 31×48 Oil on Canvas’

Debra Lott is a figurative oil painter and art educator. See the rest of her series and other work here.

~ Emanuel Iral, Director of Visual Art, U.S. Transhumanist Party, November 11, 2017